Neues Shiggy-Interview (lang!!!) Teil 1
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IGNcube: Let's get right to it. We understand Left Field Productions is no longer involved with 1080 2 for GameCube. Who's working on it now and when will it come out?
[Surprise and laughter from Miyamoto and Iwata]
Shigeru Miyamoto: It is true that Left Field is no longer working on 1080. We are now working on it somewhere in Nintendo and it will be released next winter. It will be a game that is based closely on the original intent of 1080.
IGNcube: Is Giles Goddard involved with the project?
Miyamoto: Giles is not involved in that [yet].
IGNcube: We've very pleased with what Giles has contributed toward Doshin the Giant GCN.
Miyamoto: He will also be helping a little bit with 1080 and even when Left Field Productions was working on it he was cooperating with them as well.
IGNcube: Will Mario Kart use the GameCube online network? Will it be one of the first GCN titles to go online?
[Laughter from both Miyamoto and Iwata]
Miyamoto: Online, I think, is something that a lot of people have recently been talking about. And I think when the situation is ready for us to jump into it, we will be able to do it. Mario Kart, as you pointed out, is a game that would be suited for that. It's similar to linking four Game Boy Advances together and playing on a split screen. It's a very similar style of play and something that you could very easily take to online. When online becomes a viable business model, something like that would be very easy to do.
Satoru Iwata:The thing about online is that people are talking about it and bringing it up as this kind of direction for gaming. But the fact of the matter is that many aren't really paying attention to a lot of the hurdles that have to be jumped before online becomes viable. One of the biggest ones, I think is, what's really going to be the penetration for broadband connections around the world? Where is that going to be in a few years? So people are talking about this and seem to focus only on online, but they fail to answer many of the questions surrounding it.
We have a lot of experience in online as I'm sure you're aware. We think very positively about the possibilities. We've done a lot of online experiments in the past. But until these hurdles are met and these problems are solved, I don't think that we should just jump into online because people think there's strength there right now. So we're certainly not in a position where we can say 'there will be an online Mario Kart in 2003.'
We're not negative toward the idea of going online. We're just practical.
IGNcube: Can you tell us a little more about Mario Sunshine. We see the paint falling from the skies. The worlds are morphing. How does this all play into the game?
[Miyamoto reveals a gameplay mechanic detail in Japanese to translator, but then asks that we not print it.]
Miyamoto: Actually, I'm under strict orders not to say. Detailed information o
nly at E3. Obviously we're trying to keep a lot of the details about the game very secret so that we can surprise people with them by the time E3 rolls around. So that's not why we're talking a whole lot about the game at this time.
I wish I could tell you something. So I guess if I had to say anything, I would say that you can see in the video that Mario has some kind of a water gun on his back. I can tell you that this is going to be an important new item and element to the game.
For the most part, it's really kind of a continuation of the style and tradition of Mario 64. This time with the power of the GameCube what we're going to see is a world that really, truly comes to life with a lot of things going on simultaneously.
IGNcube: Is this why the visuals don't seem to be a leap over Mario 64?
Miyamoto: I guess you could say that's one reason. The other thing is that we're trying to create this idea of a really, bright, sunny and tropical world. And when you get into these very bright, vibrant colors it becomes difficult to do some of the graphics that you see in, say Star Fox. If you look at Star Fox, you see each individual hair coming off Fox's face now -- showing off some of the real power of the GameCube. That's great. But with Mario Sunshine we're looking to have all kinds of things going on-screen at once in this incredibly vibrant world.
Iwata: And besides, it's about how the different teams want to use the power of the GameCube. How they want to use it to add their own touch and feel to their specific games. If everybody tries to do the same thing people would get bored very soon.
IGNcube: What has become of Fire Emblem 64? Will it come to GameCube?
Miyamoto: We haven't said anything about it, have we?
Iwata: No. We haven't.
Miyamoto: Wow. I haven't heard about that title in quite a while [laughs]. As you know, Intelligent Systems is a company that we've worked with for many years. Really, we haven't determined what direction some of those parties are going to be moving in on GameCube. But once we do we'll be sure to make some announcements.
Iwata: You look at games like that and of course doing something like bringing it to GameCube would be possible. But there are a lot of possible things we could do with those and we're considering all of the possibilities. Until we make a decision or are in a position to announce something, we cannot unfortunately say anything. We can't say yes or no.
Miyamoto: Of course, Fire Emblem has been an important franchise for Nintendo for a very long time and Intelligent Systems has been working on it the entire time. We're always thinking about possibilities on how we can continue to use that franchise in the future and Mother 3 is something that Iwata and I have always talked about bringing to the users.
IGNcube: Can you explain how Metroid's first- and third-person camera system works. Is it done automatically or does the player do this manually?
Miyamoto: Because what we're doing with Metroid right now is showing you images of the game rather than allow people
to play it, obviously the first topic of discussion then becomes the perspective. People kind of have this tendency to call it a first-person shooter because of the perspective, but really we think of Metroid as an exploration game -- particularly Samus exploring really tight tunnels and passageways and whatnot. When you get into really tight places like that, the third-person camera can be difficult and that's why we went with the first-person camera. So I would say that Metroid is not a first-person shooter, but a first-person camera or perspective and that the exploration and adventure aspects of the game are really going to be emphasized and drawn out.
Another thing is, because people are so focused on the perspective at this point, there is a lot of talk about how you will switch between the perspectives. But the fact of the matter is, because the focus of the game is adventure, we really don't want a situation where it's a very complicated system and it takes a lot of button pressing and things like that in order to morph when you need to morph. So, really what it will be is a very simple mechanism of being able to change perspective only when you need to. And this allows you to focus more on the adventure rather than the control of changing form.
IGNcube: What's happening with Perfect Dark 0 and Kameo?
Miyamoto / Iwata: Obviously nothing has happened with these games in terms of any kind of event or anything. They are going along as they would normally go along in game development. When they get to a point where we can see when we'll be launching them, then we'll start talking about them at that point. But they are proceeding. And, you know, they are probably at a point where we could have shown you some quality footage today, but we're just concentrating on proceeding and we will talk more about each as they come closer to launch.
And of course the games that we showed you today are not the only that will be shown at E3 -- there will be others as well.
IGNcube: Speaking of E3. Last year, you had a really big surprise in Pikmin -- nobody saw that coming. Will there be similar surprises at this coming E3?
Iwata: Well, we're always thinking about surprises. But the thing about surprises is that when you say there are surprises then people are no longer surprised [laughs].
Miyamoto: Look at Metroid. Because we showed screenshots of that from so early on, it's kind of loss some of its surprise.
IGNcube: We don't mind.
[Laughter]
IGNcube: Will Metroid have a multiplayer mode?
Miyamoto: [Considers for several moments] Ooh. We can't answer that. Please wait until E3.
IGNcube: Fair enough. On to Zelda. You said at Space World 2001 that cel-shading technique used in Zelda was very important to doing new things. Does this mean that the cel-shading style will play a role in the gameplay mechanics?
Miyamoto: Zelda, as you know, we're not showing here. That's because we want people to play the game, rather than looking at the graphics and deciding whether or not they like it based on what they see. But the fact of the matter is that it was the
artists working on Zelda, who had also worked on the N64 versions, who decided that they wanted to go in the direction of cel-shading. Including the Zelda series on the Game Boy as well, I'd like to try and solidify the look and feel of the Zelda world.
Ende Teil 1
___________________________________________________
IGNcube: Let's get right to it. We understand Left Field Productions is no longer involved with 1080 2 for GameCube. Who's working on it now and when will it come out?
[Surprise and laughter from Miyamoto and Iwata]
Shigeru Miyamoto: It is true that Left Field is no longer working on 1080. We are now working on it somewhere in Nintendo and it will be released next winter. It will be a game that is based closely on the original intent of 1080.
IGNcube: Is Giles Goddard involved with the project?
Miyamoto: Giles is not involved in that [yet].
IGNcube: We've very pleased with what Giles has contributed toward Doshin the Giant GCN.
Miyamoto: He will also be helping a little bit with 1080 and even when Left Field Productions was working on it he was cooperating with them as well.
IGNcube: Will Mario Kart use the GameCube online network? Will it be one of the first GCN titles to go online?
[Laughter from both Miyamoto and Iwata]
Miyamoto: Online, I think, is something that a lot of people have recently been talking about. And I think when the situation is ready for us to jump into it, we will be able to do it. Mario Kart, as you pointed out, is a game that would be suited for that. It's similar to linking four Game Boy Advances together and playing on a split screen. It's a very similar style of play and something that you could very easily take to online. When online becomes a viable business model, something like that would be very easy to do.
Satoru Iwata:The thing about online is that people are talking about it and bringing it up as this kind of direction for gaming. But the fact of the matter is that many aren't really paying attention to a lot of the hurdles that have to be jumped before online becomes viable. One of the biggest ones, I think is, what's really going to be the penetration for broadband connections around the world? Where is that going to be in a few years? So people are talking about this and seem to focus only on online, but they fail to answer many of the questions surrounding it.
We have a lot of experience in online as I'm sure you're aware. We think very positively about the possibilities. We've done a lot of online experiments in the past. But until these hurdles are met and these problems are solved, I don't think that we should just jump into online because people think there's strength there right now. So we're certainly not in a position where we can say 'there will be an online Mario Kart in 2003.'
We're not negative toward the idea of going online. We're just practical.
IGNcube: Can you tell us a little more about Mario Sunshine. We see the paint falling from the skies. The worlds are morphing. How does this all play into the game?
[Miyamoto reveals a gameplay mechanic detail in Japanese to translator, but then asks that we not print it.]
Miyamoto: Actually, I'm under strict orders not to say. Detailed information o
nly at E3. Obviously we're trying to keep a lot of the details about the game very secret so that we can surprise people with them by the time E3 rolls around. So that's not why we're talking a whole lot about the game at this time.
I wish I could tell you something. So I guess if I had to say anything, I would say that you can see in the video that Mario has some kind of a water gun on his back. I can tell you that this is going to be an important new item and element to the game.
For the most part, it's really kind of a continuation of the style and tradition of Mario 64. This time with the power of the GameCube what we're going to see is a world that really, truly comes to life with a lot of things going on simultaneously.
IGNcube: Is this why the visuals don't seem to be a leap over Mario 64?
Miyamoto: I guess you could say that's one reason. The other thing is that we're trying to create this idea of a really, bright, sunny and tropical world. And when you get into these very bright, vibrant colors it becomes difficult to do some of the graphics that you see in, say Star Fox. If you look at Star Fox, you see each individual hair coming off Fox's face now -- showing off some of the real power of the GameCube. That's great. But with Mario Sunshine we're looking to have all kinds of things going on-screen at once in this incredibly vibrant world.
Iwata: And besides, it's about how the different teams want to use the power of the GameCube. How they want to use it to add their own touch and feel to their specific games. If everybody tries to do the same thing people would get bored very soon.
IGNcube: What has become of Fire Emblem 64? Will it come to GameCube?
Miyamoto: We haven't said anything about it, have we?
Iwata: No. We haven't.
Miyamoto: Wow. I haven't heard about that title in quite a while [laughs]. As you know, Intelligent Systems is a company that we've worked with for many years. Really, we haven't determined what direction some of those parties are going to be moving in on GameCube. But once we do we'll be sure to make some announcements.
Iwata: You look at games like that and of course doing something like bringing it to GameCube would be possible. But there are a lot of possible things we could do with those and we're considering all of the possibilities. Until we make a decision or are in a position to announce something, we cannot unfortunately say anything. We can't say yes or no.
Miyamoto: Of course, Fire Emblem has been an important franchise for Nintendo for a very long time and Intelligent Systems has been working on it the entire time. We're always thinking about possibilities on how we can continue to use that franchise in the future and Mother 3 is something that Iwata and I have always talked about bringing to the users.
IGNcube: Can you explain how Metroid's first- and third-person camera system works. Is it done automatically or does the player do this manually?
Miyamoto: Because what we're doing with Metroid right now is showing you images of the game rather than allow people
to play it, obviously the first topic of discussion then becomes the perspective. People kind of have this tendency to call it a first-person shooter because of the perspective, but really we think of Metroid as an exploration game -- particularly Samus exploring really tight tunnels and passageways and whatnot. When you get into really tight places like that, the third-person camera can be difficult and that's why we went with the first-person camera. So I would say that Metroid is not a first-person shooter, but a first-person camera or perspective and that the exploration and adventure aspects of the game are really going to be emphasized and drawn out.
Another thing is, because people are so focused on the perspective at this point, there is a lot of talk about how you will switch between the perspectives. But the fact of the matter is, because the focus of the game is adventure, we really don't want a situation where it's a very complicated system and it takes a lot of button pressing and things like that in order to morph when you need to morph. So, really what it will be is a very simple mechanism of being able to change perspective only when you need to. And this allows you to focus more on the adventure rather than the control of changing form.
IGNcube: What's happening with Perfect Dark 0 and Kameo?
Miyamoto / Iwata: Obviously nothing has happened with these games in terms of any kind of event or anything. They are going along as they would normally go along in game development. When they get to a point where we can see when we'll be launching them, then we'll start talking about them at that point. But they are proceeding. And, you know, they are probably at a point where we could have shown you some quality footage today, but we're just concentrating on proceeding and we will talk more about each as they come closer to launch.
And of course the games that we showed you today are not the only that will be shown at E3 -- there will be others as well.
IGNcube: Speaking of E3. Last year, you had a really big surprise in Pikmin -- nobody saw that coming. Will there be similar surprises at this coming E3?
Iwata: Well, we're always thinking about surprises. But the thing about surprises is that when you say there are surprises then people are no longer surprised [laughs].
Miyamoto: Look at Metroid. Because we showed screenshots of that from so early on, it's kind of loss some of its surprise.
IGNcube: We don't mind.
[Laughter]
IGNcube: Will Metroid have a multiplayer mode?
Miyamoto: [Considers for several moments] Ooh. We can't answer that. Please wait until E3.
IGNcube: Fair enough. On to Zelda. You said at Space World 2001 that cel-shading technique used in Zelda was very important to doing new things. Does this mean that the cel-shading style will play a role in the gameplay mechanics?
Miyamoto: Zelda, as you know, we're not showing here. That's because we want people to play the game, rather than looking at the graphics and deciding whether or not they like it based on what they see. But the fact of the matter is that it was the
artists working on Zelda, who had also worked on the N64 versions, who decided that they wanted to go in the direction of cel-shading. Including the Zelda series on the Game Boy as well, I'd like to try and solidify the look and feel of the Zelda world.
Ende Teil 1
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Lieber nicht, sonst treff ich noch auf Spanish und Widow. 